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Subject = Ancient, Medieval, Renaissance and Baroque Art and Architecture;
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Displaying Results 1 - 2 of 2 on page 1 of 1
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Musical Monuments from Medieval Meath
(2008)
Buckley, Ann
Musical Monuments from Medieval Meath
(2008)
Buckley, Ann
Abstract:
The most common figure representing musical performance in medieval religious iconography is King David, Old Testament prophet, musician, and author of the Psalms. His appearance in Insular art emerged in the eighth century as the scope of the iconographic programme was beginning to widen. At this time Eastern Christian influences were strongest, as witness, for example, the Book of Kells (8thlgth century, which may have been produced on Iona), and Mercian stone sculpture (see Henderson 1986: 101).
http://eprints.nuim.ie/970/
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Social and spatial order in the MacMahon lordship of Airghialla in the late sixteenth century
(2001)
Duffy, Patrick
Social and spatial order in the MacMahon lordship of Airghialla in the late sixteenth century
(2001)
Duffy, Patrick
Abstract:
The main source for understanding the territorial structure of Gaelic Ireland in the later medieval period is the legacy of English versions of it which were constructed in the late sixteenth and early seventeenth centuries. These records are the consequence of a meeting of two societies with different, though not mutually unfamiliar,' perceptions of priorities in owning and working the land. The emerging modern state placed emphasis on measurement of acres, spaces and boundaries, expressed in surreys, ink-entories and maps of property and land values. The Gaelic world had a different sense of landscape and its economic and social significance. There was, however, a shape and spatial order to the Gaelic landscape, which in spite of cultural and tenurial differences was real and discoverable to the colonial authorities.
http://eprints.nuim.ie/1250/
Displaying Results 1 - 2 of 2 on page 1 of 1
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