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Subject = Film and Media Studies;
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Displaying Results 1 - 25 of 104 on page 1 of 5
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A Political Economy of Formatted Pleasures
(2010)
Brennan, Edward
A Political Economy of Formatted Pleasures
(2010)
Brennan, Edward
http://arrow.dit.ie/aaschmedbk/1
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A Political Economy of Formatted Pleasures
(2010)
Brennan, Edward
A Political Economy of Formatted Pleasures
(2010)
Brennan, Edward
Abstract:
<p>This chapter argues that, by promoting audience pleasures based in the pursuit of individual and materialistic goals, most television formats are consonant with a dominant orthodoxy which sees markets as the only way to organise society . This elective affinity between format pleasures and free market ideology, however, does not come about through deliberate design. Rather it is an unintended consequence of television production’s response to economic and practical necessity. In their form, content and production practices formats are pre-adapted to the demands of a globalised media market place. This commercial logic has given formats a peculiar signature in terms of what they can and cannot represent.</p>
http://arrow.dit.ie/aaschmedbk/7
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A Virtual Home Away From Home
(2012)
Kilroy, Ian
A Virtual Home Away From Home
(2012)
Kilroy, Ian
Abstract:
<p>Emigration and media: “Staying in touch with home while living abroad has never been simpler, but does it make the emigration experience any easier? Emigrants and immigrants discuss the challenges of keeping up with home while living abroad.”</p>
http://arrow.dit.ie/aaconmusart/22
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Apotheosis or Apparition? Bombay and the Village in 1990s Women’s Cinema
(2007)
Sawhney, Rashmi
Apotheosis or Apparition? Bombay and the Village in 1990s Women’s Cinema
(2007)
Sawhney, Rashmi
Abstract:
<p>This article examines the representation of Bombay in Aruna Raje’s Rihaee (1988) and Sai Paranjpye’s Disha (1990). It has been argued here that in both films, Bombay functions as a narrative anchor to the fictive village, which is depicted as the locus of Indian modernity. Symbolism of the village-city trope is used to reorganise the syntagm of modernity-location-gender in new relations of power and also to present alternative visions of national development within the socio-economic context of 1990s liberalisation in India. The dialectic between city and village in these films emphasises the role of memory and migration in women’s cinema, and also serves as a means to probing the relationship between gender and films in the postcolonial context.</p>
http://arrow.dit.ie/aaschmedbk/9
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Back to the Future: The Emergence of Contrasting European and US Approaches to Digital Radio
(2008)
O'Neill, Brian
Back to the Future: The Emergence of Contrasting European and US Approaches to Digital Radio
(2008)
O'Neill, Brian
Abstract:
Digital radio has been in development for over 25 years and yet is no nearer a point of successful adoption. This paper explores the emergence of contrasting European and American approaches to digital radio. The most established of these, Eureka-147 or Digital Audio Broadcasting (DAB), which originated in Europe, is contrasted with the so-called IBOC or /HD Radio approach, as alternative collective conceptualizations of how technology can bridge contemporary broadcasting practice to an ̳imagined‘ digital future. Drawing on the concept of ̳symptomatic technology‘ (Williams 1974), DAB‘s origins in European R&D policy of the 1980s and its affinity with established European broadcasting practice is characterised as a distinct technological vision for how the frontiers for radio broadcasting could be expanded within the European political and cultural landscape of the time. DAB‘s attempt to map a global solution for digital radio, combining satellite and terrestrial broadcast stra...
http://arrow.dit.ie/aaschmedcon/13
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Beyond Europe: Launching Digital Radio in Canada and Australia
(2010)
O'Neill, Brian
Beyond Europe: Launching Digital Radio in Canada and Australia
(2010)
O'Neill, Brian
Abstract:
Eureka 147 was, as we have argued throughout this volume, a European technology designed within the very particular context of European public service broadcasting (see also Rudin 2006; O'Neill 2009). At the same time, the consortitum behind DAB technology had the ambition that Eureka 147 would become the world standard for digital radio. DAB was indeed the first such technological system to achieve standardisation at the European Telecommunications Standards Institute (ETSI), and be recommended as a global standard for digital terrestrial sound broadcasting by the International Telecommunications Union (ITU).
http://arrow.dit.ie/aaschmedbk/2
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Blowing the Whistle on Bullying in the Workplace:The Aftermath of Insider Research
(2010)
Clonan, Tom
Blowing the Whistle on Bullying in the Workplace:The Aftermath of Insider Research
(2010)
Clonan, Tom
Abstract:
From 1996 to 2000, the author of this paper – then a Captain serving in the Irish Army - conducted doctoral research into the status and roles assigned female personnel in the Irish Defence Forces – Army, Navy and Air Corps. An unanticipated outcome of this equality audit of the Irish Defence Forces was the revelation of the widespread bullying, harassment, sexual harassment, sexual assault and rape of female soldiers by male colleagues. As a result of conducting this feminist research, the author was ostracised by his military colleagues and suffered from a campaign of vilification in the private and public domain with serious personal and professional consequences. The author’s PhD thesis was lodged to the library of Dublin City University in November 2000 in accordance with academic regulations. It was later accessed by a number of journalists. By September of 2001 there was saturation coverage of the findings of the research in the Irish print and electronic media. The I...
http://arrow.dit.ie/aaschmedcon/20
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Broadcasting Multiculturalism: Migrant Representation and Participation in Irish Radio
(2009)
Moylan, Kathleen
Broadcasting Multiculturalism: Migrant Representation and Participation in Irish Radio
(2009)
Moylan, Kathleen
Abstract:
<p>In the cultural context of recent inward migration to Ireland, this research focuses on migrant representation on Irish radio. Employing diverse approaches drawn from cultural studies and public sphere theory, this study examines radio programmes produced by and about new Irish migrant communities, and the ways in which 'diversity' is framed and managed by national and EU broadcast policy. This work incorporates analyses of programme content and broadcast policy in relation to Irish national public service broadcasting (Radio Telefis Eireann) and Dublin community radio.</p>
http://arrow.dit.ie/appadoc/27
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Brood
(1997)
Kilroy, Ian
Brood
(1997)
Kilroy, Ian
Abstract:
<p>A long poem looking at the generation that grew up in Ireland after the historic 1979 visit of Pope John Paul II. Brood was filmed for Irish television with the support of the Arts Council, the Irish Film Board and RTÉ.</p>
http://arrow.dit.ie/aaschmedoth/6
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Bullying in a New Ground: Cyberbullying Among 9-16 Year Olds in Ireland
(2013)
Dinh, Thuy; O'Neill, Brian
Bullying in a New Ground: Cyberbullying Among 9-16 Year Olds in Ireland
(2013)
Dinh, Thuy; O'Neill, Brian
Abstract:
<p>This paper builds on the data collected in Ireland by the cross-national EU Kids Online II project- a large 25 country survey which investigated children’s experiences of the internet, focusing on issues of use, activities, risks, and safetyi . This article explores incidences, forms and consequences of cyberbullying among Irish children, as well as discussing possible prevention and intervention strategies.</p>
http://arrow.dit.ie/aaschmedart/93
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Cathode Ray Memories: Television as Memory and Social Practice
(2014)
Brennan, Edward
Cathode Ray Memories: Television as Memory and Social Practice
(2014)
Brennan, Edward
Abstract:
<p><strong>Cathode Ray Memories: Television as memory and social practice</strong></p> <p>The history of television in Ireland is, predominantly, an institutional history. Indeed, rather than studying <em>television in Ireland</em> most commentary addresses <em>Irish television</em> as embodied by Radio Telefís Éireann (RTÉ). There are plentiful accounts of RTÉ, its programmes, personalities and the circuits of institutional power surrounding it. This is a history populated by political and clerical elites, and written by their cultural counterparts. Institutional crises surrounding RTÉ have been used as a proxy for the experiences of Irish people. With few alternatives, this perspective has underpinned common sense understandings of how television has helped to shape Irish society.</p> <p>Ironically, in attempts to explain the effect of the medium in Ireland the medium itself is overlooked. There is little comment on...
http://arrow.dit.ie/aaschmedcon/34
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Children and The Internet in Ireland: Research and Policy Perspectives
(2013)
O'Neill, Brian; Dinh, Thuy
Children and The Internet in Ireland: Research and Policy Perspectives
(2013)
O'Neill, Brian; Dinh, Thuy
Abstract:
<p>For good or ill, the internet is now very much part of children’s lifestyles today. Indeed, it is hardly possible to approach contemporary childhood – its possibilities and its risks – without understanding the degree to which information and communications technologies (ICTs) are embedded in every aspect of young people’s lives. For policy makers, the fast pace of change in the technology sector represents an additional challenge and effective interventions to protect children as well as promote positive opportunities sometimes struggle to keep up an environment that continues to evolve rapidly. There is also a tension between some of the competing responses that children’s use of the internet evokes: whether children are viewed as ‘digital natives’ or as helpless victims of online threats, there is a difficult balancing act between promoting use of the internet as something positive and beneficial for young people’s futures, whilst seeking to minimize risks they may encou...
http://arrow.dit.ie/aaschmedcon/32
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Childrens' Rights or Journalists' Ethics
(2014)
Foley, Michael
Childrens' Rights or Journalists' Ethics
(2014)
Foley, Michael
Abstract:
<p>The coverage of issues concerning children and childhood has become increasingly prominent and journalists now have access to any number of sets of guidelines. Within academia there is a growing body of scholarly literature concerning journalism, the media, and coverage of children.</p> <p>This activity has been mainly in the context of children’s rights. UNICEF, has been successful in highlighting the UNCRC and the role of journalists and the media in making the Convention work.</p> <p>DIT, and the author, has been working with UNICEF, since 2006, in developing a syllabus for journalism schools. So far 27 universities from Turkey to Central Asia have adopted it. It is now being adapted to Africa.</p> <p>The project objective was to embed the concept of children’s rights among students of journalism through using specially designed material for journalism schools. This, it was hoped, would mean a qualitative improvement in the coverage of...
http://arrow.dit.ie/aaschmedcon/35
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Cinema Film Distribution and Exhibition in Ireland
(1992)
O'Donnell, Damien
Cinema Film Distribution and Exhibition in Ireland
(1992)
O'Donnell, Damien
http://arrow.dit.ie/aaschmedart/3
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Cultural Studies Now
(2007)
Grossman, Alan
Cultural Studies Now
(2007)
Grossman, Alan
http://arrow.dit.ie/ctmpcon/1
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Curiously Mediating the Lives of Migrants: Promise and Unrest
(2010)
Grossman, Alan
Curiously Mediating the Lives of Migrants: Promise and Unrest
(2010)
Grossman, Alan
http://arrow.dit.ie/ctmpcon/9
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Mark
DAB Eureka-147: The European Vision for Digital Radio
(2008)
O'Neill, Brian
DAB Eureka-147: The European Vision for Digital Radio
(2008)
O'Neill, Brian
Abstract:
The digitalisation of radio broadcasting has a long history and as a project has been under active consideration for at least 25 years. A number of different technical approaches to digital radio exist, the longest established of which is the so-called Eureka-147 or DAB (Digital Audio Broadcasting) system. This paper explores the ‘technological imaginary’ of DAB and its distinctly ‘European’ vision for new media and the future of broadcasting. It examines its origins in European R&D policy of the 1980s, and its affinity with European broadcasting practice, particularly within a public service tradition. Ironically, it was DAB’s failure to capitalise on its ‘Europeanness’ that contributed to the fragmentary support it subsequently received at a political level, compromising its subsequent implementation. From a contemporary perspective, DAB’s original mission to provide enhanced, interactive information and entertainment services through audio, text and visual content, while visi...
http://arrow.dit.ie/aaschmedcon/12
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Defining the Audience: Redefining Public Service
(2014)
Murray, Ann-Marie
Defining the Audience: Redefining Public Service
(2014)
Murray, Ann-Marie
http://arrow.dit.ie/aaschmedbk/29
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Mark
Developing Digital Radio for Ireland: Emerging Approaches and Strategies
(2008)
O'Neill, Brian
Developing Digital Radio for Ireland: Emerging Approaches and Strategies
(2008)
O'Neill, Brian
Abstract:
Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB in 2008. Following previously stalled efforts, digital radio in Ireland is clearly entering a new phase of development: a trial digital service has been established as of 2007, a new licensing policy is in development, and a partnership of public and private broadcasters, Digital Radio Ireland, has brought together RTE and a range of le...
http://arrow.dit.ie/aaschmedcon/15
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Mark
Digital Radio Cultures in Europe: Progress to Date and Prospects for the Future:a Review of Research Produced by DRACE
(2006)
O'Neill, Brian; Lax, Stephen
Digital Radio Cultures in Europe: Progress to Date and Prospects for the Future:a Review of Research Produced by DRACE
(2006)
O'Neill, Brian; Lax, Stephen
Abstract:
Digital Radio Cultures in Europe (DRACE), was established in 2004 under the COST Action A20 “The Impact of the Internet on Mass Media in Europe”. The original configuration of the COST A20 group included provision for an internet and music research group but this was re-focussed following a re-organisation in which DRACE was more formally incorporated. The group comprises 14 researchers with specific interests in radio from Norway, Finland, Denmark, Greece, Germany, Hungary, Portugal, Croatia, the United Kingdom and Ireland. The objective of the research group is to be at the forefront of empirical research on changes in radio cultures arising from the move from analogue to digital broadcasting platforms. In addition to tracing the recent history of digital radio in Europe, the group has examined various strategies and scenarios for radio’s future development in European broadcasting. Research outcomes are aimed at media researchers with an interest in radio and new technology, pol...
http://arrow.dit.ie/aaschmedcon/8
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Digital Radio in Canada: From DAB to Multi-Platform Approaches.
(2007)
O'Neill, Brian
Digital Radio in Canada: From DAB to Multi-Platform Approaches.
(2007)
O'Neill, Brian
Abstract:
This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the introduction of satellite radio in Canada. The focus for this particular paper’s analysis is the revised digital radio policy issued by the Canadian Radio-Television and Telecommunications Commission (CRTC) in December 2006, replacing the earlier transitional digital radio policy of 1995, and seeking to implement a multi-platform framewor...
http://arrow.dit.ie/aaschmedcon/9
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Mark
Digital Radio Policy in Canada: Fragmentation or Evolution of the Medium
(2007)
O'Neill, Brian
Digital Radio Policy in Canada: Fragmentation or Evolution of the Medium
(2007)
O'Neill, Brian
Abstract:
In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent extensive regulatory intervention to protect Canadian interests similarly proved ineffective against the dominant influence of US interests on Canadian broadcasting, evidenced most recently by the entry of satellite- delivered subscription radio services of XM Radio and Sirius. It is a...
http://arrow.dit.ie/aaschmedcon/11
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Mark
Digital Takeover of News: Journalism as a Public Service in the Social Media Age
(2015)
Hauser, Jenny
Digital Takeover of News: Journalism as a Public Service in the Social Media Age
(2015)
Hauser, Jenny
Abstract:
<p>Research into the use of social media by news organisations to source information and user-generated content has shown substantial changes in the news production process. It is argued that these changes are resulting in increased access to established mainstream media for ordinary citizens, mainly through citizen-journalism.</p> <p>To date, the news industry has been fixated on how free information and visual content shared on social media platforms can be sourced and verified in such a way that standards of accuracy are maintained. While news organisations focus on reaping the benefits of citizen-journalism on social networks, a growing trend of de-professionalisation in the news production process emerges. Journalists are increasingly removed from creating news content as their role shifts towards managing news. This paper examines how companies behind social networks are stepping into direct competition with traditional news media in providing news to audienc...
http://arrow.dit.ie/aaschmedcon/38
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Mark
Digital technologies and the future of radio: lessons from the Canadian experience
(2006)
O'Neill, Brian
Digital technologies and the future of radio: lessons from the Canadian experience
(2006)
O'Neill, Brian
Abstract:
This paper reports on an ongoing comparative study of the development of digital radio in Europe and Canada. Focussing on the Eureka 147 Digital Audio Broadcasting (DAB) platform in Canada, of which it was an early adopter, the paper examines the complex interaction of industry, government regulation and the difficulty of policy formation matching the pace of technology development. Based on interviews with leading radio professionals, the paper presents a critical review of the ‘transitional policy’ towards the digitalisation of radio and examines the international market pressures that led Canada to largely abandon this approach in favour of the current multi-platform system. Despite extensive regulatory intervention to protect Canadian interests, the dominant influence of the US market on Canadian broadcasting matters is evident. Most recently, the entry of satellite-delivered subscription radio services by XM Radio and Sirius have illustrated the difficulty of regulating again...
http://arrow.dit.ie/aaschmedcon/19
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Mark
Digital Technologies and the Future of Radio: Lessons from the Canadian Experience.
(2007)
O'Neill, Brian
Digital Technologies and the Future of Radio: Lessons from the Canadian Experience.
(2007)
O'Neill, Brian
Abstract:
<p>This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the introduction of satellite radio in Canada. The focus for this particular paper’s analysis is the revised digital radio policy issued by the Canadian Radio-Television and Telecommunications Commission (CRTC) in December 2006, replacing the earlier transitional digital radio policy of 1995, and seeking to implement a multi-platform...
http://arrow.dit.ie/aaschmedcon/10
Displaying Results 1 - 25 of 104 on page 1 of 5
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Dublin Institute of Technology (103)
Dundalk Institute of Techno... (1)
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