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Egyptian film censorship: safeguarding society, upholding taboos
Mansour, Dina
Films are a representation and manifestation of culture; yet, since the early days of filmmaking public debates have questioned whether “the motion picture industry was morally fit to control the content of its own products” (Robichaux). Today, the Arab world is plagued by the same dilemma. In a region where government censorship is the norm, heavy restrictions are imposed on locally produced films as a means of “safeguarding” public norms, religion and culture. Also problematic in today’s globalised world is the influx of foreign films into local markets, which not only defy public norms, but also represent cultural values and traditions that are quite alien to societies that have been inherently religious and conservative. Against this background, this article aims to analyse the role of censorship in Egypt with regard to the relationship between cinema and culture—a relationship often overlooked and perhaps intentionally ignored. In doing so, it will examine how censorship has traditionally been used as a tool to control the representation of existing social and cultural realities and to define cultural and religious norms, thus also affecting the normative context.
Keyword(s): Egyptian film; Censorship; Society; Cultural taboos
Publication Date:
Type: Journal article
Peer-Reviewed: Yes
Language(s): English
Institution: University College Cork
Citation(s): Mansour, D. (2012) 'Egyptian film censorship: safeguarding society, upholding taboos', Alphaville: Journal of Film and Screen Media, 4.
Publisher(s): Film and Screen Media, University College Cork
File Format(s): application/pdf
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First Indexed: 2018-04-11 06:30:57 Last Updated: 2018-04-11 06:30:57