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“You’ll Never Kill Our Will To Be Free”: Damien Dempsey’s “Colony” as a critique of historical and contemporary colonialism
Power, Martin J.; Dillane, Aileen; Devereux, Eoin
This article, through a musical, lyrical, and contextual analysis of the Irish recording artist Damien Dempsey’s song “Colony,” probes contemporary discourses concerning colonialism and postcolonialism. In presenting Dempsey’s work through this lens, we seek to interrogate how one singer employs protest song as a vehicle for social critique in a nuanced fashion. Our reading reveals different levels of meaning, in part dependent on contextual knowledge. Furthermore, the simple structure belies the complexity of the issues involved in any discussion of postcoloniality in Ireland and beyond, and because of this the song is rendered all the more potent and persuasive. PUBLISHED peer-reviewed
Keyword(s): music
Publication Date:
Type: Journal article
Peer-Reviewed: Yes
Language(s): English
Institution: University of Limerick
Citation(s): Musicultures;44 (2), pp. 29-52
First Indexed: 2020-05-21 06:54:04 Last Updated: 2020-05-21 06:54:04